Guitar Monk Corporate

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Saturday, 30 April 2011

Backup Gear: Two of Everything... at Least

Posted on 09:27 by Unknown

HAVING ONLY ONE OF SOMETHING LIKE THIS POLYDRIVE INTERFACE IS A RECIPE FOR DISASTER.

If you end up playing with either bleeding-edge technology or vintage gear - I have some of each - you figure out pretty fast that to be a confident and dependable performer, you need backup gear. For most devices that are not overly prone to failure, that means two, but for some critical things, it may be three, and for loudspeakers, it could just be one extra unit.

For example, when I leave for a road trip, I must have at least two guitars, two rack systems, and three PA speakers (I usually take four). In town, I usually just take an extra guitar if it's a background music gig, but if it's something major - for which I'm being paid a significant amount of money - I'll take an extra rack and speaker too.

This policy of having backup gear along has saved my bacon - and made me look like a hero - at several gigs. When that eight-year-old data backup battery dies and all of your programs vanish, there's nothing like being able to laugh it off and grab the backup rack out of your car or truck. Or, when that darned D-string breaks, it's sure a lot quicker and easier to just grab a backup guitar rather than changing the string. Of course, I learned this, like I learn everything in life, the hard way: I once travelled over 100 miles one-way for a gig and arrived with no 1/4" to Speakon adapters. Since I put speaker cables in each rack when I pack them up, a backup would have saved me that gig, the money... and just a ton of embarrassment: It's hard to forget to pack something twice.

That was my, "Never again" moment.

So, make a list, check it twice, and all your gigs will be very, very nice. Naughty waitresses are cool, but naughty amps are not.

The catch for me is - there's always a catch - I have two guitars that look exactly the same but that are in fact entirely different.



The Rider Nylon on the left has a high classical action, and the one on the right has a low flamenco action. I have decided that the classical action Rider is not a suitable backup guitar, because it's way to hard to play tap technique on it... so I need a third, of course.

But there's more to it than that. I love practicing tap tech on the classical Rider because it makes the pieces so much easier to play on the flamenco Rider, and I play gigs without playing Spanish Fly and A Day at the Beach all the time. So, I'm glad I got the classical setup, and I wouldn't want to be without it, but two is not enough in any case. Why?

Because, the real problem is with the RMC Acoustic Gold saddles, or perhaps just my less than stellar luck with them. Back when I was playing Godin guitars with these saddles, I had one go entirely dead on me - the G string on that guitar - which is where I got the idea to always have two guitars along. Well, these pickup elements are by far the best in the world, but to be so sensitive and clear, they evidently also have to be quite fragile. Lummox that I am, I've managed to break two of them while changing strings! Fortunately, both on the classical backup ax, and I managed to fix the second one myself.

So, you see where this is going: I imagine the scenario where I'm changing strings in anticipation of a road trip and I break one of the RMC saddles. I don't have time to get it repaired before I leave, so I have to hit the road with just one guitar. This is not acceptable, so I'm going to order a third Rider Nylon/RMC - my second in the flamenco setup - before the end of the year. I'm also going to order some extra saddles so I can repair them here myself, rather than having to ship them off to get the work done. Yes, having extras of things like that often means you'll never, ever need another one again. lol.

The good news is that I'm getting all of these ducks in a row because I'm again free to get on the road and do some serious performing now that my mom is being looked after. I've worked up to some six and seven hour practice days over the past 5 months, which will be the subject of some upcoming posts, and some problematic pieces I've been working on for years have suddenly come into focus. It's a great feeling.



She bears an almost uncanny resemblance to my high school sweetheart.
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Saturday, 26 March 2011

Epic Drunk Driving Fail in the 'Hood

Posted on 11:27 by Unknown
Some young buck in a pickup truck - no word on whether he was wearing a pink carnation, but he was definitively out of luck - launched himself and his vehicle into a house in my neighborhood back at the beginning of the month. The truck burst into flames and caught the house on fire.



I walk by this house every day on my 6-8 mile walks. Fortunately, nobody was home and even the drunk driver was not seriously hurt.

To give you an idea of how spectacular this was, here is the intersection from which the truck went airborne.



The cross street is Thousand Oaks, and the road going off into the distance is Bulverde Road, which turns into Scarsdale as it enters my neighborhood. What you can't see from this angle is that there is a rise, very similar in size and angle to a waterski jump, onto Scarsdale. The reason there is no damage to the landscaping in the foreground is because the truck was in the air over it. The police estimated the distance the truck was airborne at over 100 feet.

I walked across to the sidewalk in the picture above to show where the truck landed.



He made it almost to the sidewalk, and the curb deflected his trajectory to the right, and into the house. Within a couple of days, the house was demolished down to the slab.



This is the second time, to my knowledge, that this house has been hit by a car. I don't think I'd want to live there. lol.



The caption said she's French. Having spent a lot of time in France, I could have told you that just by looking. She's almost stereotypically Gallic. Quite pretty, though.
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Sunday, 27 February 2011

Two-a-Days

Posted on 19:27 by Unknown
No, not football training camp, technical and performance practice in two separate sessions every day. Grueling, but I'm about 75% ready to gig again... and, I've worked out twice a day every day this year so far too: Bowflex and a 90 minute walk.

Feeling much much better than I did last November.

Something for all the True Blood fans out there.



Pretty much the ideal redhead. Yeah, I watch the show. lol.
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Saturday, 29 January 2011

Hiatus

Posted on 04:27 by Unknown
Taking a little time off from the blog to catch up on some set development chores. My mom got very sick late last year and I wasn't able to play for a few months, so I'm rebuilding my set again. Yes, I rebuilt it at the beginning of last year too, so this is quite frustrating, but now that mom is taken care of, I ought to be back performing again by March or April. In fact, I have a standing two gig per week offer at an eatery already, so I'm anxious to get the set back together.

Life sometimes intrudes on one's plans.
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Saturday, 25 December 2010

MMM Merry Christmas

Posted on 05:27 by Unknown
Merry Christmas, readers. Hope you're looking forward to great things coming together in the next year, as I am.

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Friday, 17 December 2010

A Lexicon Christmas

Posted on 13:27 by Unknown
Thanks again to Keith at The JukeYard for servicing my Lexicon MPX-G2's. I now have four out of five done up with fresh batteries and thorough checkups.

While doing this project, I lamented to Keith that it was too bad the MPX-G2's tuner wasn't able to calibrate to the A= 432Hz philosophical pitch I tune to. Well, it does! Sure enough, I had missed a level in the Tuner Edit Menu that allows offset in cents. It comes out that -33¢ is equal to A= 432 (For some reason, the Axon AX-100 Mk II zeros in on 432 at -34¢), so I was able to eliminate the Behringer BTR2000 Racktuners from my rigs, which has made them 1U smaller. Additionally, the Lexicon MPX-R1 MIDI Remote Controllers I use have a Tuner Function, so I'm able to use that again, which is far superior to having a separate mute switch for the Behringers.

Here's my day-to-day rig, now down to just 3U:



And for the larger venues, I have a Lexicon 212 - which is just a Bryston 3B-ST with a Lexicon faceplate - instead of the Bryston 2B-LP, which makes 5U (The SKB Rolling Rack was the only one of 5U I could find).



Finally, without the BTR2000, my synth rig has gone from 8U with a vent panel to 6U!



You can see why I called this post A Lexicon Christmas: Three MPX-G2's, an NT 212, and an I-ONIX fw810s.

Not in this post are the 4U rack, which uses a MESA Stereo Simul-Class 2: Ninety tube power amp, and my main recording rig, which is still a work in progress. Keith says I'm a musical mad scientist, to which I reply, MuaHahahaha!

Merry Christmas!

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Wednesday, 17 November 2010

The Juke Yard: Lexicon MPX-G2 Service and Repair

Posted on 19:27 by Unknown


First of all, if you own a Lexicon MPX-G2, you need to join the STEC Records MPX-G2 Forum. The site administrator there, Bob Sellon, is a former Lexicon employee who helped design the MPX-G2, and that is where I met Keith of The Juke Yard, which is where Bob sends his G2's for service.

If you have a Lexicon MPX-G2, you ought to know that it uses a backup battery to keep the user programs in memory. When that battery fails, "poof," all of your programs are gone. Since I have played through nothing but MPX-G2's for over ten years now - it is the best combination preamp and effects unit ever made for guitarists still, after being discontinued for several years - I'm very paranoid about the backup batteries, because I have literally hundreds of man hours worth of programming stored in them. I say them, because I have five MPX-G2's now. One reason for so many is my paranoia about losing all of that programming work... the other is that I'm a gearoholic who, "needs" five different rigs for every conceivable type of venue and recording situation.

Well, that memory backup battery isn't just a regular watch type battery that you can easily replace, it's a special type that needs to be un-soldered to remove, and re-soldered to replace. I'm terrible with that stuff, so I had Keith do two of my units last week (I'll send two others to him after Thanksgiving). Turnaround was super-fast, the work was excellent, and he also checked out every function to make sure they were 100%. IMO, there's no substitute for the peace of mind I get from having a pro do this kind of work, so by New Years, My G2's will be set for another decade of gigging and recording.

Keith also works on other Lexicon gear - and juke boxes, of course - so if you have a dead Jam Man, send him an email and bring that puppy back on line.

But wait, there's more. STEC Records also has a dump tool for Windows users that allows for all of the MPX-G2 user programs to be dumped to a PC for safekeeping! I'm going to put Windows on one of my Intel Macs so I can use that and also the Windows-only FSeqEdit program for my Yamaha FS1R's.

So, I'm happy to welcome The Juke Yard to the, "Hucbald Endorses" section of my sidebar.

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