Guitar Monk Corporate

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

Saturday, 17 December 2005

I'm Going to HELL!

Posted on 06:27 by Unknown
Well, that's it I guess. I've been banished to the Second Level of Hell. But, I don't think it's possible to get to Heaven with this particular test, so I don't feel too bad.


The Dante's Inferno Test has banished you to the Second Level of Hell!
Here is how you matched up against all the levels:
LevelScore
Purgatory (Repenting Believers)Very High
Level 1 - Limbo (Virtuous Non-Believers)Very Low
Level 2 (Lustful)Very High
Level 3 (Gluttonous)High
Level 4 (Prodigal and Avaricious)Moderate
Level 5 (Wrathful and Gloomy)Low
Level 6 - The City of Dis (Heretics)Very Low
Level 7 (Violent)Moderate
Level 8- the Malebolge (Fraudulent, Malicious, Panderers)Low
Level 9 - Cocytus (Treacherous)Low

Take the Dante's Divine Comedy Inferno Test


Very High in the Lustful category?



Well, DUH!

OK. You got me there.

Hat tip to everyone's favorite kazoo player over at Terminal Degree.
Email ThisBlogThis!Share to XShare to Facebook
Posted in | No comments
Newer Post Older Post Home

0 comments:

Post a Comment

Subscribe to: Post Comments (Atom)

Popular Posts

  • Preview: Ultimate Classical Guitar Arrangements
    I have finally finished entering the notation for all of the pieces in my set, and I have the fingerings done for my originals and the stan...
  • And, the Hits Just Keep On Coming /sarc
    Yes, I have gotten sidetracked from the Freestyle Convertible Counterpoint series, but composition is little else than side tracks; some of...
  • Heavy Nylon Demo 2
    Welp, I finished the second of the three demos working up to the Heavy Nylon CD, and you can download all seventeen MP3's here. Here...
  • MIDI Guitar: The Axon AX-100 Mk II
    I've decided to get back into MIDI guitar and synthesis after about twenty years since I was a Synclavier guitarist back in the 80'...
  • Musical Implications of the Harmonic Overtone Series: Appendix II
    ***** Contrapuntal Musical Examples ***** Again, real living music combines aspects of all five of the musical elements, but today's exa...
  • Happy Holidays
    I had hoped to get a post together on how I am creating virtual guitar parts with my notation program - notating on six staves, one for each...
  • ErgoPlay Review/Further Blackbird Rider Thoughts
    My initial review of the Blackbird Rider Nylon is here. The Rider came with a NeckUp support - and I now now why they did that - but the ...
  • Legendary Guitarist and Inventor Les Paul Has Died
    Les Paul, the man responsible for creating one of history's most iconic guitars, as well as overdubbing and multitrack recording, has d...
  • Ma, Pearlman, Montero and McGill Play to Tape at Obama Inaugural
    I've been following this story since the revelation was made, but this is the best story about it that I've yet read, as the main i...
  • How to Compose Counterpoint (Where to Begin)
    This is not a post about the rules of counterpoint, rather this will be about where to start once you've learned the basic rules. The t...

Blog Archive

  • ►  2013 (16)
    • ►  December (1)
    • ►  November (1)
    • ►  October (3)
    • ►  September (1)
    • ►  August (1)
    • ►  July (1)
    • ►  June (1)
    • ►  May (1)
    • ►  April (1)
    • ►  March (2)
    • ►  February (2)
    • ►  January (1)
  • ►  2012 (23)
    • ►  December (1)
    • ►  November (1)
    • ►  October (1)
    • ►  September (1)
    • ►  August (1)
    • ►  July (1)
    • ►  June (1)
    • ►  May (1)
    • ►  April (1)
    • ►  March (1)
    • ►  February (4)
    • ►  January (9)
  • ►  2011 (13)
    • ►  December (1)
    • ►  November (1)
    • ►  October (1)
    • ►  September (2)
    • ►  August (1)
    • ►  July (1)
    • ►  June (1)
    • ►  May (1)
    • ►  April (1)
    • ►  March (1)
    • ►  February (1)
    • ►  January (1)
  • ►  2010 (56)
    • ►  December (2)
    • ►  November (3)
    • ►  October (8)
    • ►  September (8)
    • ►  August (3)
    • ►  July (5)
    • ►  June (2)
    • ►  May (5)
    • ►  April (4)
    • ►  March (4)
    • ►  February (5)
    • ►  January (7)
  • ►  2009 (51)
    • ►  December (5)
    • ►  November (3)
    • ►  October (5)
    • ►  September (2)
    • ►  August (5)
    • ►  July (6)
    • ►  June (4)
    • ►  May (4)
    • ►  April (3)
    • ►  March (3)
    • ►  February (6)
    • ►  January (5)
  • ►  2008 (54)
    • ►  December (3)
    • ►  November (2)
    • ►  October (4)
    • ►  September (5)
    • ►  August (7)
    • ►  July (7)
    • ►  June (6)
    • ►  May (4)
    • ►  April (2)
    • ►  March (5)
    • ►  February (4)
    • ►  January (5)
  • ►  2007 (105)
    • ►  December (11)
    • ►  November (11)
    • ►  October (4)
    • ►  September (6)
    • ►  August (8)
    • ►  July (8)
    • ►  June (11)
    • ►  May (12)
    • ►  April (9)
    • ►  March (11)
    • ►  February (8)
    • ►  January (6)
  • ►  2006 (131)
    • ►  December (2)
    • ►  November (2)
    • ►  October (17)
    • ►  September (9)
    • ►  August (4)
    • ►  July (6)
    • ►  June (11)
    • ►  May (8)
    • ►  April (8)
    • ►  March (17)
    • ►  February (26)
    • ►  January (21)
  • ▼  2005 (51)
    • ▼  December (20)
      • Four Gigs... Two Days
      • Convertible Counterpoint III
      • Convertible Counterpoint II
      • Sergi Ivanovitch Taneiev: Convertible Counterpoint...
      • Extempore in A minor Redux: Creative Analysis
      • Music Criticism II: Elements of Constructive Criti...
      • Music Criticism
      • A Different Kind of "Mozart Effect"
      • I'm Going to HELL!
      • Crunch Time and "My Master's Blog"
      • Extempore in A minor: Applied Fractal Self-Similar...
      • Extempore in A minor: Applied Fractal Self-Similar...
      • Philosophical Pitch Redux: Verdi's "A"
      • Order in Chaos II
      • Guitar Technical Practice: Metronome Slow-Play
      • Order in Chaos
      • The Semiotics of Music
      • Preparing a Major Project: Adding MP3's to FileShare
      • Emotional, Cerebral, and Spiritual Aspects of Comp...
      • Heavy Listening: The Late Beethoven String Quartets
    • ►  November (18)
    • ►  October (13)
Powered by Blogger.

About Me

Unknown
View my complete profile