To review, my set for dinner and bar crowds, art openings, parties, and corporate events, is organized around the circle of thirds from A minor to A major: A minor, C, E minor, G, B minor, D, F-sharp minor, and A.
The pattern for the suites is two originals, and then alternating covers and originals, with a crowd pleaser at the end - for a total of nine pieces per suite - and each suite is about 25-30 minutes in duration. So, I play four suites, take a 30 minute dinner break, and then play another four suites to make a four hour gig (D major and F-sharp minor are still short at this point, running about fifteen minutes each).
As I mentioned previously, the first four suites have crystalized, with just a bit of uncertainty in the G major one. Because there is so much great guitar music in A minor and A major, it's just natural that the final suite has come into focus as well.
It looks like this now:
64] Figuration Prelude No. 8 - Hucbald
65] E-Axis Study in A major - Hucbald
66] Guardame Las Vacas - Luis de Narvaez
67] Six Variations in A minor - Hucbald
68] Etude VI - Leo Brouwer
69] Irreducible Fugue No. 3 - Hucbald
70] Yankee Doodle Dixie - Chet Atkins
71] Irreducible Fugue No. 4 - Hucbald
72] Desert Song - Eric Johnson
73] Heavy Nylon - Hucbald
74] Stairway to Heaven - Led Zeppelin
I have eleven pieces here just in case I run short and have some time to fill up. This is a very good idea, because it's a million times more impressive if you never repeat yourself over the course of a four hour engagement: Folks think you could just go on and on. So, if I'm on time, I play Stairway to Heaven, which is my finale/encore piece, last (In place of Desert Song). If the crowd is a good one - drunk, jazzed... and tipping - I'll play the whole set through Heavy Nylon (Which is a PITA to get just right) to Stairway.
You'll notice I put some A minor pieces in here: There are just a gazillion cool pieces for the guitar in A minor - I actually have extras - and a lesser number of compelling A major works, so I did that on purpose, not out of any necessity. I have an awesome - and extremely difficult - arrangement of Bach's Sheep May Safely Graze in A major, which I may learn at some point, but I have all eleven of these memorized, so that's the path of least resistance right now.
I could have updated the previous post, but I wanted to post another pic of this stunningly awesome redhead.
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